Shapes have meaning. That may sound crazy, but hear me out. Let's explore how cinematographers and directors create shapes inside the frame to add visual storytelling to their films.
An in-depth essay that delves into the rhythm inherent to filmmaking and how Edgar Wright is particularly adept at tapping into it, harnessing it, and bending it to his and our benefit.
You don’t need a video essay to tell you that Anthony Hopkins is a great actor; you might, however, need a video essay to tell you why Anthony Hopkins is such a great actor.
How does a director conceive, stage and edit interior thought processes? Our audiovisual essay compares a positive example, Robert Rossen’s 'The Hustler,' with the negative example of Woody Allen’s 'Magic in the Moonlight.'