One Perfect Shot:
Back to FSR
What to Watch
Understanding the Cinematography of Wally Pfister
The Stoic Male Antihero Trope Examined
References to 70s and 80s Movies in ‘Stranger Things’
Beyond the Frame
H. Perry Horton
Jacob T. Swinney
Jack’s Movie Reviews
Lessons from the Screenplay
Subject: Martin Scorsese
Martin Scorsese and the God’s Eye View
Is God watching in all Marty's films?
Martin Scorsese and the Fast Dolly Zoom
Martin Scorsese’s penchant for a specific kind of zoom, one where he runs the camera right up to the face of his subject, falls somewhere in between the subtle and the obnoxious.
Martin Scorsese Close-Ups
Religion, drugs, money, food, luxuries... Scorsese's close-ups are the major themes of one of the best directors of all time.
Martin Scorsese on Framing
"Sometimes when it all comes together ... you become the film you’re making." - Martin Scorsese in 1990, as told to T.J. English.
A Method to Martin Scorsese’s Madness
Neo-Realism, Postmoderism, and the alchemy of Martin Scorsese.
Nocturnal Visions: ‘After Hours’ Meets ‘Into the Night’
A video essay that compares Martin Scorsese's After Hours to John Landis' Into The Night, arguing they are West Coast and East Coast chronicles of the very same night in 1985.