In the following supercut, I’ve collected the unspoken language of shame Fassbender conveys to show how the film’s real narrative happens there, in his mounting disgust.
For this video, I tried to capture the best of film from the 17 years of this new millennium. Not every great film is here, but I tried to include as many as possible.
In this video I shine a light on the sound design of Ren Klyce and Richard Hymns, specifically in the film's fight scenes, and (hopefully) give a better idea of why sound design is so important in a film.