In Zack Snyder's movies, you can observe how creatively and diversely he uses the subjective camera. So I'd decided to make a mashup with all (almost) first-person shots.
In the following montage, I’ve compiled the triangular imagery from 'The Neon Demon' to reveal both its prevalence and its role in framing the evolution/devolution of Jesse and those who would build themselves on her broken back.
In the following video I’ve gathered the most breathtaking and significant silhouettes from Deakins’ filmography and stitched them together to demonstrate the wide variety of impacts for which they’re employed.
This video essay is an analysis of Wong Kar Wai's use of colors. WKW is without doubt, one of cinema's great colorists. His films are renowned for their distinctive style, in which colors segue and blur into each other.