This unfortunate video about 'A Series of Unfortunate Events' is a comparison between actions/scenes from the film of 2004 and the new TV series of Netflix. Same story, different points of view.
Comparing the aesthetics of the two films I consider the best examples of Neo-Noir, Roman Polanski’s 'Chinatown' and Rian Johnson’s 'Brick,' and how they reflect and respect the genre to which they are paying homage.
The phenomenon of the Spielberg face is studied across the director’s entire filmography to illustrate the expression’s versatility, how it can enhance a wide variety of contexts, and also its effect on those of us watching.